The 90s were a tough decade for Marvel. They started off great – In 1990, Todd McFarlane’s Spider-Man #1 sold 2.5 million copies and a year later Rob Liefeld’s X-Force #1 sold 5 million copies and Jim Lee’s X-Men #1 sold 8 million copies. Then in 1992 all three of these artists and a handful of others left Marvel to form Image. Then in 1996, Marvel was forced to file for bankruptcy. Between these two events, we got Heroes Reborn, which was oddly shaped by both of these occurrences. This series, in a strange way, shaped the course of Marvel comics post-bankruptcy. [Read more…] about A Retrospective on Captain America, Heroes Reborn
Marvel Reviews
The Hickman X-Men (Re)Read: House of X #5, Pt.2 – The Mutant Renaissance
III. Renaissance & Celebration (pgs6-19)
And we’re back—at the start of HOX/POX. With so many mutants having died before the Hickman era and not a few of the same being teased in HOX/POX previews and the mystery of “the pod people” in HOX 1, we knew that mutant resurrection was going to be key to the start of Hickman’s run.
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Introducing Robbie Reyes: The All-New Ghost Rider Omnibus

The Ghost Rider has been one of the most prominent spooky antiheroes of mainstream comics since way back in 1972, and it’s hard to imagine a Marvel Universe without him creeping around its edges and popping in for the occasional crossover. Though Johnny Blaze was the original and Danny Ketch was his predecessor, there are countless other Ghost Riders that have never been explored at length.
When Marvel’s All-New line was in its planning stages, they approached writer and artist Felipe Smith to create a new Ghost Rider with the stipulations that he had to be young and he needed to drive a car rather than a motorcycle. Out of these sparse guidelines, Robbie Reyes was born. A Ghost Rider with a unique powerset and a troubled relationship with the spirit of a serial killer that he has been bonded with, Reyes brought a whole new edge to the Ghost Rider mythos in Ghost Rider: Robbie Reyes – The Complete Collection, while keeping the visual and thematic appeal of the character fully intact.
Collects: All-New Ghost Rider #1 to #12, Ghost Rider #1 to #5, What If? Ghost Rider (2018) #1 [Read more…] about Introducing Robbie Reyes: The All-New Ghost Rider Omnibus
Big Brawls and Brooding Babes in Acts of Vengeance: Spider-Man & The X-Men

The early ’90s were a wild time for comics, and it’s no exaggeration to say that seismic shake-ups were happening all across the medium. Nowhere was that more true than at Marvel, where creative teams of many years were being ousted in favor of new directions brought in by “fresh new artists” like Rob Liefeld, Jim Lee, Todd MacFarlane, and a handful of others. Stylism over substance took the industry by storm, and the effects of that, both positive and negative, are still felt to this day.
Amid the changing creative teams and the industry-wide trends that would ultimately define the era, there is Marvel’s Acts of Vengeance crossover. A core group of elite supervillains including William Fisk, Magneto, the Red Skull, and the Wizard (among others) recruited dozens of villains to attack different superheroes than they normally would under the premise that fighting slightly changing up the heroes’ rogue galleries would leave them permanently defeated. This… didn’t… work, mostly because there was zero strategy behind it. This razor-thin plot is typical of the time period: highly disjointed, and still completely badass, because it allowed months of page space dedicated to big, pointless brawls that didn’t really have to adhere to any kind of a coherent overarching plot outside of the ongoing stories within each individual book.
Collects: AMAZING SPIDER-MAN (1963) #326-329, SPECTACULAR SPIDER-MAN (1976) #158-160, WEB OF SPIDER-MAN (1985) #59-61 and #64-65, WOLVERINE (1988) #19-20, ALPHA FLIGHT (1983) #79-80, NEW MUTANTS (1983) #86, UNCANNY X-MEN (1981) #256-258 and material from X-FACTOR (1986) #50 [Read more…] about Big Brawls and Brooding Babes in Acts of Vengeance: Spider-Man & The X-Men
The Hickman X-Men (Re)Read: House of X #5, Pt.1 – The Resurrection Five
I. HOX 5 Cover, Epigraphs, Title Page
A. Apocalypse Cometh
Wading ashore through reeds, Apocalypse could be equally emerging from some Krakoan lagoon as from the Nile of Ancient Egypt. The ambiguity is mythopoeic—evoking a sense of his impossibly deep past.
Alas, this specific mythopoeism isn’t the subject of HOX 5.
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