And so continues the fall of the Illuminati, as what began as a group of men trying to save the universe from an unknown threat, has spiraled out of control and left a group of monsters to hold the world hostage while they have their fun exterminating planet after planet. This is the second issue in the “Time Runs Out” story arc taking place between Avengers and New Avengers, and specifically picks up after the bombshell of a last page from New Avengers #23. Shaping up to be an event story without officially being an event book itself, how does this issue continue the story about the death of the all things? [Read more…] about New Avengers #24 Review! The Countdown to the End Continues
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Old-School X-Men with Lincoln Crisler: Uncanny X-Men #201
Last week’s installment showed Magneto being acquitted of his past crimes, not just by a world court, but also by his actions against Fenris, the children of Hydra leader Baron von Strucker–and his inheritance of Charles’ dream from the Professor himself, just before Xavier was whisked away by the Starjammers to be healed of the injuries he’d been suffering from for nearly the last year’s worth of the comic. The past few issues also set up the return of both Cyclops and Storm. In the absence of the team’s traditional leaders, both Nightcrawler and Shadowcat have stepped up, but what’s going to happen now that Scott and Ororo are back, both accustomed to calling the plays?
The issue, written by Claremont with pencils from Rick Leonardi, opens on a happier note–a full splash page of the X-Men celebrating the arrival of young Nathan Christopher Charles Summers into the world. Cyclops and Maddie’s son, of course, is known to long-time X-Men fans as the man called Cable (though he doesn’t make his adult appearance until over four issues later, in New Mutants #87). It might be worth noting that the only two characters without looks of joy on their faces are Scott, the boy’s father, and Rachel, Scott and Jean’s daughter from an alternate reality. Rachel is understandable, to me at least; in her world, her mother was still alive and in this world, she isn’t and her father has moved on. But Cyclops…well, Cyclops is a jerk around this time period of X-Comics, rivalled only by his actions during AvX, which arguably weren’t completely his own.

In fact, Madelyne pulls Ororo aside to discuss just that, though in broader terms. They discuss the Professor’s departure, Magneto’s assumption of command, and Madelyne’s concern over Scott’s return to the X-Men, where we discover that not only did Scott leave his pregnant wife alone to rush back to the X-Men, but that the whole rest of the team had called to check on her after Nathan’s birth, except for Scott himself. In the end, it’s Rachel who adjusts to this new situation better than her father, cradling the brother she never had in her reality and promising that he’d never see anything like the dark future she’d come from. Of course, taken with what we know of Cable in the X-Comics to come, this is ironic as hell, but even still, Rachel’s the one who becomes Mother Askani in the future and pulls Nathan forward in time to cure him of Apocalypse’s virus. It’s plain throughout their relationship, across time, that Rachel takes being Nate’s big sister seriously, and this is where it all begins.
We cut to the Starjammer, across the galaxy and in a fight with an enemy starship. They win, thanks to the powers of their newest member, Carol Danvers, called Binary. However, the ship is damaged and Charles, though apparently healed up, won’t be going home right away. This gives him time to second-guess his choices aloud to Lilandra, the Shi’ar empress he loves, and to be reassured by her. It’s pretty obvious he won’t have much trouble finding something to do with his additional time aboard the Starjammer. Back at the mansion, Cannonball’s computer eats his term paper, the X-Men pair off for a game of baseball and, when Rogue goes airborne to retrieve Colossus’ home run, we get a cameo appearance from President Ronald Regan!

After the game, Kitty goes back inside to grab a shower and overhears an argument from upstairs, in Storm’s loft, which she’s loaned to Scott and Maddie. We cut to the happy couple arguing over Scott’s commitment to the X-Men as opposed to his family. He feels that he needs to stay and lead the X-Men again, that they need him more than ever now that Charles is gone and Magneto’s running the school. Maddie, quite understandably, feels different. Their discussion is cut off by Storm, who’d been downstairs with Kitty. She offers a solution: she, though powerless, still desires leadership of the team, and is willing to duel Scott for the right–if he’s not chicken, of course.
The X-Men kick the New Mutants out of the Danger Room and both teams huddle up in the control booth to watch what’s sure to be the fight of the year. And it is quite a tense affair, though in the end, Storm wins, stripping Scott of the visor he needs to control his powers. Scott is surprised and hurt, of course, but readers who’ve followed the last year or two of X-Men comics probably won’t be. Even powerless, Claremont has always written Ororo as a strong, powerful woman, wresting control of the Morlocks from Callisto in a knife fight and surviving the African desert with nothing more than her wits. And in Cyclops’ defense, becoming a new father is enough to distract any man!
It’s worth noting, as well, how awesome and supportive Maddie is. She understood completely when he left her side when he heard of Charles’ illness, and even during the fight with Ororo, she’s concerned over the pain a loss would cause him, even though she wants him back with her instead of with the X-Men. It seriously underscores what a poor excuse for a man Cyclops is at this point, right up to the beginning of X-Factor this same year, when Jean comes back and he ditches Maddie and Nathan because Jean comes back from the dead.

The issue’s epilogue shows us Rachel Summers, visiting her grandparents’ home once more, to repair the holoempathic crystal broken two issues ago. She not only restores it to it’s previous condition, but adds her own imprint to the crystal, alongside Jean’s. She may not ever exist in this world thanks to the absence of Jean Grey, but she hopes that adding her essence to the crystal will keep her from ever being forgotten. One thing about this era of X-Men is how Claremont and the editors handling Uncanny didn’t wait for “big” issues to pull out all the stops. Issue #201 is at least as classic as #200, if not moreso (and so is #199, for that matter!).
Next Issue: Phoenix vs the Beyonder! With BONUS Sentinels!
Agents of SHIELD S2 E1 Review! This Time With Meaning
Unlike Gotham which debuted to a fresh, adoring public this week, Agents of SHIELD season two aired last night with a lot of baggage. Season one certainly has its fans, but the general consensus seems to be: Not a very good show, but it got a LOT better after Captain America 2 and the dissolution of SHIELD at the hands of Hydra. I tend to agree, and although I have my own plan for the Season 2 I want to see, I think Agents of SHIELD S2 episode one was able to match the potential exhibited by Gotham in its pilot. So far these are both comic book TV shows defined by potential, and with an entire season under its belt AoS certainly has a shorter forgiveness-leash. Nonetheless, episode one puts season two on the right track. [Read more…] about Agents of SHIELD S2 E1 Review! This Time With Meaning
Nightcrawler 2002-2004 Series Overview
I admit, there’s something about the last ‘Nightcrawler’ run that gives it a firm place in my heart; and so, as I run through my X-Men chronology, I simply can’t resist it! [Read more…] about Nightcrawler 2002-2004 Series Overview
GOTHAM: Pilot Review! How Does Batman’s City Hold Up on TV?
I know many fans have been waiting for this show since it was first announced. I myself have been combing the internet for the last year for every piece of information, finding every plot tid-bit to promo. Now that it is finally here, how does “Gotham” stack up? To be fair, Batman has not had the most impressive track record for live-action television adaptions. Other than the Adam West “Batman TV Show” from the 1960s, there was the financial failure “Birds of Prey” (2002) which was a poor adaption of the Batman mythos. Thus “Gotham” marks the first time in over 50 years that a live-action story of the “Dark Knight” returns to the small screen. So is the pilot of “Gotham” a grand success, or did it fall flat on its face? [Read more…] about GOTHAM: Pilot Review! How Does Batman’s City Hold Up on TV?